Showing posts with label Ron Silver. Show all posts
Showing posts with label Ron Silver. Show all posts

Tuesday, November 8, 2011

Sag strike stops streak 28 year 1981

I completed "Baker's Dozen", a CBS pilot for a TV series, and it couldn't have went better. Everyone was pleased with my work including Ron Silver, the lead. A couple of days after we wrapped the pilot, CBS announced that "Baker's Dozen" would be picked up for another 5 episodes. This meant that in the next few weeks I would make more money than I had made my whole life up to that point.

I was nervous, it was to good to be true, something would go wrong, and it did. Screen Actors Guild picked this time to go on strike. This meant that all union film and TV projects in America had to stop production.

Why do actors strike? Yes, there must be some protection for actors, such as: safety on the set, keep track of residuals and carry the health plan. These are good things that the union does for us. But when they opt to go on strike, then it had better be a life and death situation.

The rich actors that make millions of dollars don't care, they already made it and can rest comfortably in Malibu , until the strike is over. Or they may go out of the country, away from SAG's jurisdiction, and make a couple of million doing a foreign produced film.

But what about actors like me? What we need is opportunity to show the world and the industry that we can contribute. Who cares about the nickles and dimes the union is fighting over, such as: more money for extras. I don't think serious actors, that work hard for years to develope their craft, should have to have the rug pulled out from under them so some housewife in Long Island can make extra money and have an exciting day on the set.

The strike went on for 6 months. I received a few offers for plays during that time and I turned them down until I received a offer to a play at Ensemble Studio Theater. The play was Gray Spades and I had done the play in the past. (see chapter 16).

I really didn't feel like doing a play while I was waiting for the SAG strike to end. I was having a great time around town. It was great, I would walk down the street or go into Jimmy ray's and you could see it in their faces, the respect, awe and of coarse envy, all at once.

What convinced me was the director, Risa Bramen. She was young, smart and aggressive. Risa went on to become one of the top film casting directors in the business. She picked it to do something edgy and to impress people with her versatility. A couple of other cast members were Robert Pastorelli, who went on to be a regular on Murphy Brown and Sam McMurry who also was a regular on Baker's Dozen.

When the play opened, for it's short run, the audience was filled every night with agents and casting directors. After the run I received a call from The Gage Group a top talent agent in New York and Los Angeles. I had a interview with this agent a couple of years previous and their attitude, at the time, was very dismissve. They asked me to forget about that and swore they would work for me diligently. So finally I had a agent. Not just any agent but one of the best.

Finally the actor's strike was over and I would be shooting the other 5 episodes. I was riding on cloud 9. All my life I have been broke. My father was a gambler so my family lived just above the poverty line.

Now, I would live the good life. I was so happy that I went out and got married again. I am not going to talk much about this marriage as it resulted in a beautiful daughter and her privacy should be maintained.

Monday, October 24, 2011

SCORE 25

So now I had someone in the industry representing me, Lynn Kressel at least for this project, Bakers Dozen.

A couple of days later I had another call back with the producers to read with the lead actor in the pilot, Ron Silver . Again the waiting room was full of actors auditioning and I recognized a few from the previous auditions. I nodded my head hello and received a cautious response in return. Every actor in there knew that a job like this could change their whole life and the tension in the room was thick. Strangely, I wasn't that nervous, maybe because going this far in the process was a morale victory.

I went in and again I gave a good audition and a day later Lynn's assistant called me in the state of amazement. I was going to Network, CBS to audition again. She said that the producers wanted me for the role but the network had to approve of me. She seemed astonished that I was getting a network audition being that I had no film or TV credits . This was a choice job, not only because it was a sold TV pilot for CBS, but also it was to be shot on the streets of New York.

The day came for the big network audition. When it was my turn to go in I was ushered into a small theater with about 75 seats and everyone of them was filled by different employees of CBS. This would have been a good house for most of the Off-Off Broadway shows I performed.

I read and I got some good laughs from the CBS audience.

When I left, I went over to Jimmy Ray's to unwind and check my answering service. There was a call from Nina, Lynn Kressel's assistant, to call right away. When I called Nina sounded like she had seen a ghost. " You got It" You got it" she said in amazement.I got off the phone  and mentioned to a couple of actors hanging out that I just was cast in a TV series for CBS. They looked at me with suspicion as if I was just another bullshitting actor. I didn't care and walked dreamily uptown with no destination in mind.  I was happy but not  surprised.

IMDB for Baker's dozen